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She’s out to prove that there’s no such thing as choosing happiness.

Isadora Bentley follows the rules. Isadora Bentley likes things just so. Isadora Bentley believes that happiness is something that flat-out doesn’t exist in her life—and never will.

As a university researcher, Isadora keeps to herself as much as possible. She avoids the students she’s supposed to befriend and mentor. She stays away from her neighbors and lives her own quiet, organized life in her own quiet, organized apartment. And she will never get involved in a romantic relationship again—especially with another academic. It will be just Isadora and her research. Forever.

But on her thirtieth birthday, Isadora does something completely out of character. The young woman who never does anything “on a whim” makes an impulse purchase of a magazine featuring a silly article detailing “Thirty-One Ways to Be Happy”—which includes everything from smiling at strangers to exercising for endorphins to giving in to your chocolate cravings. Isadora decides to create her own secret research project—proving the writer of the ridiculous piece wrong.

As Isadora gets deeper into her research—and meets a handsome professor along the way—she’s stunned to discover that maybe, just maybe, she’s proving herself wrong. Perhaps there’s actually something to this happiness concept, and possibly there’s something to be said for loosening up and letting life take you somewhere… happy.

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Florence Darrow has always felt she was destined for greatness, but after a disastrous affair with her married boss, she starts to doubt herself.

All that changes when she sets off for Morocco with her new boss, the celebrated but reclusive author Maud Dixon. Amidst the colorful streets of Marrakesh and the wind-swept beaches of the coast, Florence begins to feel she’s leading the sort of interesting, cosmopolitan life she deserves.

But when she wakes up in the hospital after a terrible car accident, with no memory of the previous night—and no sign of Maud—a dangerous idea begins to take form…

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Hannah Winchester is down on her luck and disillusioned with love, but her fortunes are about to change…

When Hannah inherits a defunct bakery in East Tennessee, her first thought is to sell it and settle her substantial debt. Then the townsfolk welcome her warmly and she’s taken with the joyful spirit of the place, where stores employ holiday themes and residents have surnames like Christmas and Claus.

After a handsome lawman comes to her aid dressed as Santa, Hannah learns he’s more than a hot guy in a red suit and shiny black boots. Sheriff Carter Livingston has joined in the cause of rejuvenating the town, and he’s encouraging her to do her part. Hannah’s great-grandmother, Lena, sold special holiday cookies that brought hope and renewal to the people of Christmas Town. Yet Hannah has plans elsewhere and isn’t looking to stay.

Can she possibly reopen the shop known for kindling romance—without sacrificing her heart?

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Lucas Barclay—charismatic Californian and fastidious photographer—is impatiently waiting for his commitment-phobic boyfriend to… well, commit. In the meantime, he rents a shared apartment, which is fine, except for the nocturnal cryptid also living there. Lucas spends his days working at his family’s horse sanctuary, contemplating the unexplained doodles left on his bathroom mirror, and dodging inkwells. Left on carpet.

Armand Demetrio’s grim-dark comic Surrogate Goose has catapulted him to unexpected fame, and the British artiste finds himself abroad, teaching a workshop in California. He spends his nights dreading the international convention at the end of the summer (and the celebrity it entails), tarnishing his hard-won sobriety, and wallowing in the mystery of his elusive flatmate. Why would anyone need so much kale? And why does everything smell of lilac?

Though conflicting schedules keep Lucas and Armand from meeting in person, tentative communication begins through text, Post-it notes, and muffins. But Armand will return to London soon, and he and Lucas might get clock-blocked. Can you fall in love with someone you’ve never met?

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When Molly Wizenberg’s father died of cancer, everyone told her to go easy on herself, to hold off on making any major decisions for a while. But when she tried going back to her apartment in Seattle and returning to graduate school, she knew it wasn’t possible to resume life as though nothing had happened.

So she went to Paris, a city that held vivid memories of a childhood trip with her father, of early morning walks on the cobbled streets of the Latin Quarter and the taste of her first pain au chocolat. She was supposed to be doing research for her dissertation, but more often, she found herself peering through the windows of chocolate shops, trekking across town to try a new pâtisserie, or tasting cheeses at outdoor markets, until one evening when she sat in the Luxembourg Gardens reading cookbooks until it was too dark to see, she realized that her heart was not in her studies but in the kitchen.

In A Homemade Life: Stories and Recipes from My Kitchen Table, Molly Wizenberg recounts a life with the kitchen at its center. From her mother’s pound cake, a staple of summer picnics during her childhood in Oklahoma, to the eggs she cooked for her father during the weeks before his death, food and memories are intimately entwined. You won’t be able to decide whether to curl up and sink into the story or to head straight to the market to fill your basket with ingredients for Cider-Glazed Salmon and Pistachio Cake with Honeyed Apricots.

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Alexandra Auder’s life began at the Chelsea Hotel—New York City’s infamous bohemian hangout—when her mother, Viva, a longtime resident of the hotel and one of Andy Warhol’s superstars, went into labor in the lobby. These first moments of Alexandra’s life, documented by her filmmaker father, Michel Auder, portended the whirlwind childhood and teen years that she would go on to have.

At the center of it all is Viva: a glamorous, larger-than-life woman with mercurial moods, who brings Alexandra with her on the road from gig to gig, splitting time between a home in Connecticut and Alexandra’s father’s loft in 1980s Tribeca, then moving back again to the Chelsea Hotel and spending summers with Viva’s upper-middle-class, conservative, hyperpatriarchal family of origin.

In Don’t Call Me Home, Alexandra meditates on the seedy glory of being raised by two counterculture icons, from walking a pet goat around Chelsea and joining the Squat Theatre company to coparenting her younger sister, Gaby, with her mother and partying in East Village nightclubs.

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Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.

Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest.

After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”. Much to his surprise, an anonymous letter comes back in return, and a tentative friendship is born.

If only Hart knew he’s been baring his soul to the person who infuriates him most—Mercy. As the dangers from Tanria grow closer, so do the unlikely correspondents. But can their blossoming romance survive the fated discovery that their pen pals are their worst nightmares—each other?

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In this landmark national bestseller, the esteemed Buddhist teacher addresses the subject in a warm, delightful, and personal way.

With the same down-to-earth charm and wit that have endeared her to her many students and readers, Boorstein shows how one can be both an observant Jew and a passionately committed Buddhist.

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The stormy tale of a wife trapped in the antiquated ways of the past, and of two brothers who have fought on opposing sides of the Civil War

Lucinda Delaney is a southern belle ruled by a vision of life that no longer exists. The Civil War has come and gone and her side has lost, yet she is determined to proceed as if nothing has changed—a denial that stokes the flames of her irrational angers. Despite her returned husband’s devotion, Lucinda is sure he is having an affair with one of their slaves. After all, his Union-sympathizing brother, Tom, did just that, scandalously running away with the woman and settling into contented family life in Philadelphia. Over the years, her racist feelings and fears only intensify, and when it’s time for her own daughter to marry, her chief concern is the color of the children.

The Angry Wife is a memorable and impassioned dissection of prejudice, as well as a riveting portrait of post­–Civil War America.

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“When leaders fail to confront conflict, they become the ‘biggest elephant’ in the room.”

In a survey of more than 4,000 CEOs, executives, and managers, more than 90 percent admitted they were uncomfortable confronting or engaging in conflict.

Yet leaders must realize that every conflict presents an opportunity to reach higher levels of performance. In The Elephant in the Boardroom, award-winning leadership psychologist Edgar Papke explores the unique and challenging relationship that leaders have with conflict, and offers the know-how needed to use conflict as the engine of innovation and creativity. As a result, you will learn how to act courageously and be better equipped to lead and win in today’s complex and turbulent world.

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County Prosecutor Burke Wyatt is called out to a baffling crime scene. Two men have been executed and left in a field of freshly fallen snow.

Whoever did it left the bodies without leaving a trace themselves…

Tortured by the ghosts of his past, Burke can’t help himself from getting involved in the investigation, especially when the unlikeable local sheriff is unable to make headway.

As a former deputy sheriff who’d stepped back into the law to have a safer job for his family, Burke finds himself looking over his shoulder as he tries to track down the culprit, every turn causing more questions and bringing him nearer to danger. Even steps forward that feel like he’s closing in on the killer also make him think the killer is getting further away.

Burke soon figures out that there is far more going on than two murders, and he begins to fear they have a serial killer silently moving among them…

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Welcome to Owhiro, Florida – a quaint seaside village, and currently the scene of a bizarre unsolved murder.

Local bartender Kalliope Brooks was horrified to find a dead body hidden in her car, and now she can’t seem to tear herself away from the case. Her growing obsession with the young victim is leading to her own danger –- much to the alarm of her best friend, Tess, her adoring father, and the lead detective.

Can she uncover the murderer shaking up her charming little hometown before someone else is killed?

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The hole they dug was not deep. A white flour bag encased the little body. Three small faces watched from the window, eyes black with terror. The child in the middle spoke without turning his head. ‘I wonder which one of us will be next?’

When a woman’s body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It’s clear the pair are connected, but how?

The trail leads Lottie to St Angela’s, a former children’s home, with a dark connection to her own family history. Suddenly the case just got personal.

As Lottie begins to link the current victims to unsolved murders decades old, two teenage boys go missing. She must close in on the killer before they strike again, but in doing so is she putting her own children in terrifying danger?

Lottie is about to come face to face with a twisted soul who has a very warped idea of justice.

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From Julianne MacLean comes an emotionally charged tale of a young woman who has fought hard to survive a heart transplant, but soon finds that her new heart is engaged in another battle altogether…

Nadia Carmichael has had a lifelong run of bad luck. It begins on the day she is born, when she is separated from her identical twin sister and put up for adoption. Twenty-seven years later, not long after she is finally reunited with her twin and is expecting her first child, Nadia falls victim to a mysterious virus and requires a heart transplant.

Now recovering from the surgery with a new heart, Nadia is haunted by a recurring dream that sets her on a path to discover the identity of her donor. Her efforts are thwarted, however, when the father of her baby returns to sue for custody of their child. It’s not until Nadia learns of his estranged brother Jesse that she begins to explore the true nature of her dreams, and discover what her new heart truly needs and desires…

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